Grab a free mixing course from Grammy winning producer and mixer Dom Morley.
This free course contains, in Dom’s words, “four things that you really need to know in order to get great mixes, and the four things that you really don't!'“
Dom Says of the 15 minute course; “If you feel like you've been going round in circles, trying to improve your mixing skills, then grab a coffee and take this course. You will gain a new sense of focus and direction, and will be able to concentrate on improving the skills that will really level-up your mixing.”
Dom has worked with many of the music industry's biggest names, from artists including Adele, Sting, and Amy Winehouse, and also producers including Phil Spector, Mark Ronson and Tony Visconti.
Dom also runs the Mix Consultancy where he offers one-to-one critical listening and advice on mixes. You can find out more about the Mix Consultancy here
The course is completely free.
Multiband compressors and dynamic equalisers both do similar jobs. How do they differ and which should you use and when? We investigate both categories and explain the similarities and the differences.
Equalisation is a technique that every audio engineer must master. Here are a few pointers to get the inexperienced up and running, and give old hands some possible food for thought.
oeksound's adaptive tone shaper sets out to make things just sound better. With some pretty complex processing under the hood, we explain its controls, including ways to set and forget how Bloom's Amount control can influence the sound.
Many sing the praises of collaborative workflows. After all, it promises seamless remote working across borders. But here we talk about the single biggest factor spoiling the remote collaboration dream that nobody seems to be talking about.
With remote audio recording and mix review now a part of the engineer’s toolkit, one well-established solution now offers an option for all things MIDI. Here we show you how to trigger instruments and more using LISTENTO.
Most engineers understand that quality of their loudspeaker monitoring is only half the story. With a number of options now available to help engineers actually remove the effects of the room itself, here we take a look at some options for speaker calibration in 2024.
Whether it’s for a different perspective on the mix, or for foldback on the studio floor the humble headphone is a mighty studio staple. With choices ever evolving, here we round up our current favourite cans in 2024 for any occasion…
Everyone likes familiarity, but sometimes engineers find themselves on unfamiliar ground in a new DAW. Whether you’re working on location or have decided it’s time for a change, here we talk about the things that really matter to get the job done.
Whether it’s for managing recording disasters or supercharging existing sounds, replacing or layering up drum sounds is yet another DAW technique that keeps on giving. Here we round up reasons to fly in new sounds and some ways to do it.
In this article Steve DeMott shares some advice he gives to almost every mix he consults on. Do you recognise any of these from your mixes?